THE FUTURE PATH OF FREE-FORM ABSTRACTION PROMOTES EXPLORATION INTO REALMS OF THE DEEP-MIND AND ITS REFLECTION ON THE SURFACE.
rainbows post-new age present a fine model of the multileveled nature of being. the images require the attention of the viewer to animate and bring life to the viewers' sphere of influence. +they transmit the frequencies that resonate within the abstract memory and triggerpsychological results.(((((((((((((((((((((a functional response to a lack of meaning, concepts/images can act as catalysts for the expansion of awareness and the development of previously unknown or forgotten states of consciousness._____with shamanic origins and potential for involved continuation of the eternal mutation, the use of representation becomes distorted when dogmatic motives are present behind the scenes***non-representation is one solution, as is ambiguity for the sake of free interpretive methods.+++++++++
RESPECTFUL ANARCHIST OF SELF CONSTRUCTION+++++++++
SUBTLE ACTIVISM OF THE MIND+++++++++++++++++++
COMPASSIONATE SITUATION-BASED BEING, ALWAYS OPEN TO BECOMING IF THE NEED ARISES.===============
RESPECTFUL ANARCHIST OF SELF CONSTRUCTION+++++++++
SUBTLE ACTIVISM OF THE MIND+++++++++++++++++++
COMPASSIONATE SITUATION-BASED BEING, ALWAYS OPEN TO BECOMING IF THE NEED ARISES.===============
nick dallwitz aka magus niche
multimedia artist/musician,
random magickal practitioner,
reality constructor,
codswollup investigator,
experimental believer,
ordinary freak,
(identity is mutable and fixed all at once and the paradox of form/formless continues. ie. parts of me possibly exist for a quantifiable length of time, yet much in this layed illusion passes by un-noticed and outside all possible modes of perception/comprehension.)
Web: www.magusniche.com
email: [email protected]
myspace: www.myspace.com/magusniche
myspace music: www.myspace.com/magusnichemusic
written word is the extended and compleXified method of representation moving away from resonance and towards diagnostic evaluation, especially while under the influence of ones critical mind. BUT the fluid intuitive portion can play a part in the non-linear synthetic methods that produce some poetry.
can we all try the way of no-mind? for a mind to be filled with the nothing that cannot be seen, all emotional connections would need to be untied? no? are these strings of memory important identifyers for the ego, and is there anything wrong with them existing?
the detachment required to live a clear existence seems to propose a colourless state of freedom. if one wants a colourful inner life, yet wishes to hold onto a sense of objective tranquility, cannot one learn from both ways? integrating the paths into an amalgum so pleasant to the senses as to manifest a magickal set of actions.
***NOTE: DOGMATIC MOTIVES ARE OFTEN UNCONSCIOUS IN THE MIND OF THE DEVELOPER, YET ONE TRAINS ONES FACULTIES SO THAT ONE IS ABLE TO PERCIEVE THROUGH THE OUTER BUFFERS.
FOR EXAMPLE, RIGHT AT THIS MOMENT, AS YOU READ MY TEXT, IT COULD BE SAID THAT YOUR MIND IS UNDERTAKING A METHOD OF INTERPRETATION THAT INVOLVES DECODING MY SIGNS. THESE SIGNS I AM USING AND THE 'TRUTH' THEY POINT TOWARDS ARE STILL IN ALL INTENTS AND PURPOSES SUBJECTIVE.
BUT ONE MUST NOT FORGET SUBJECTIVITY IN MANY WAYS IS THE INDIVIDUAL FORM OF OBJECTIVITY. WHEN A LARGE ENOUGH MOMENTUM OF SUBJECTIVE ENERGY IS EMANATED OUTWARDS INTO THE 'OBJECTIVE' UNIVERSE, RIPPLES OCCUR AND GLITCHES APPEAR AT THE POINTS OF CONTACT. INFACT, THE 'OBJECT' IS A MOMENTUM OF SUBJECTS AND THE 'SUBJECT' IS A MOMENTUM OF OBJECTS.
THE INTERACTION BETWEEN SUBJECT AND OBJECT IS NO CLEAR CUT PHENOMENA. WHEN DISSECTED AND STUDIED CLOSELY, THE BOUNDARIES BLUR AS TO WHAT IS REAL AND WHAT IS ILLUSION.
FOR EXAMPLE, RIGHT AT THIS MOMENT, AS YOU READ MY TEXT, IT COULD BE SAID THAT YOUR MIND IS UNDERTAKING A METHOD OF INTERPRETATION THAT INVOLVES DECODING MY SIGNS. THESE SIGNS I AM USING AND THE 'TRUTH' THEY POINT TOWARDS ARE STILL IN ALL INTENTS AND PURPOSES SUBJECTIVE.
BUT ONE MUST NOT FORGET SUBJECTIVITY IN MANY WAYS IS THE INDIVIDUAL FORM OF OBJECTIVITY. WHEN A LARGE ENOUGH MOMENTUM OF SUBJECTIVE ENERGY IS EMANATED OUTWARDS INTO THE 'OBJECTIVE' UNIVERSE, RIPPLES OCCUR AND GLITCHES APPEAR AT THE POINTS OF CONTACT. INFACT, THE 'OBJECT' IS A MOMENTUM OF SUBJECTS AND THE 'SUBJECT' IS A MOMENTUM OF OBJECTS.
THE INTERACTION BETWEEN SUBJECT AND OBJECT IS NO CLEAR CUT PHENOMENA. WHEN DISSECTED AND STUDIED CLOSELY, THE BOUNDARIES BLUR AS TO WHAT IS REAL AND WHAT IS ILLUSION.